Moon and Sixpence | Book, Essay
- Book description:
Based on the life of Paul Gauguin, The Moon and Sixpence is W. Somerset Maugham's ode to the powerful forces behind creative genius. Charles Strickland is a staid banker, a man of wealth and privilege. He is also a man possessed of an unquenchable desire to create art. As Strickland pursues his artistic vision, he leaves London for Paris and Tahiti, and in his quest makes sacrifices that leaves the lives of those closest to him in tatters. Through Maugham's sympathetic eye Strickland's tortured and cruel soul becomes a symbol of the blessing and the curse of transcendent artistic genius, and the cost in humans lives it sometimes demands.
- Book Authors:
- William Somerset Maugham was born in Paris in 1874. He spoke Gallic even before he spoke a word of English, a fact to which some critics attribute the pureness of his manner. His parents died early and, after an unhappy boyhood, which he recorded affectingly in Of Human Bondage, Maugham became a qualified doctor. But composing was his true career. For 10 old ages before his first success, he about literally starved while pouring out novels and dramas. During World War I, Maugham worked for the British Secret Service. He travelled all over the universe, and made many visits to America. After World War II, Maugham made his place in south of France and continued to travel between England and Nice till his decease in 1965.
Moon and Sixpence Essay
- Bit deadening, non every bit full as Gaugin 's existent narrative. Too British, Gaugin lived in Paris and Denmark, non Britain. Vain figures, dry linguistic communication I wanted to wish this book more than I did. Strickland himself is ugly but possibly enviable, because he is so perfectly his ain adult male. He does what he wants, when he wants, where he wants and ne'er gives a idea to anyone else 's sentiment of him. The deficiency of empathy for other other people may be a approval and it may be a expletive. Brilliant author. Very different than the Woolfs and Joyces of the experimental teens and 20 's, but there is something beautiful in Maugham 's humanitarianism and seeing beauty outside of Society 's boundary lines. great piece of work by a gineus author about a mastermind painter. This book got its rubric from a book critic for one of Maugham 's other books who had a character who could n't see the tanner at his pess because he was excessively busy staring at the Moon or something like that. It was originally called Sixpence and the Moon. See what a difference there is between that and The Moon and Sixpence. Хотите посмотреть на произведения Гогена с другой стороны ? Прочтите книгу Curiosity is the deathly toxicant of a author -- read it. The painter, major character in this novel, focused wholly on spirit chasing, depart from common life irritation. He is great, but besides hateful. And his pick is besides apprehensible, because every one is independent and free. The society need more tolerance to this type unusual individual, in order to hold a diverseness human universe. Another superb Maugham book, who has rapidly become one of my favorite authours ( this is the 3rd I 've read ) . It 's written as a fictional life of a entirely un-likeable fellow, Charles Strickland, who ups and leaves his married woman, moves to Paris and devotes his life to art. Our storyteller knew him for a clip and is now telling those memories whilst going to run into those who knew him subsequently in life to patch together his character. Strickland has posthumously gone on to go one of the universe 's most admired painters. Pretty unusual and entertaining. I mean it was misogynous but at least the chief woman hater dies of Hansen's disease, u kno? გოგენს საკუთარ ნახატებზე უფრო მრავალფეროვანი ცხოვრება ჰქონია . I read a Chinese version but I set on an English version now. Absolute indispensable reading for any individual who wants to understand the creative person I do this for something greater than myself. Not every bit good as I thought. From Goodreads: Based on the life of Paul Gauguin, The Moon and Sixpence is W. Somerset Maugham 's ode to the powerful forces behind originative mastermind. I truly enjoyed this. Breathtaking and lovely with so many pick paragraphs that gaining control life experiences and paradoxes that many have tried to explicate, but of which I have ne'er read with such poignance until now. Similar secret plan to The Other by David Guterson but better handled. A fabricated life, where the chief character writes about a painter with whom he was really acquainted ( one ca n't state they were friends ) . The chief character foremost talks about all of the other bios that have been written about the creative person and so returns to state his narrative. Out of the blue, the creative person leaves a successful occupation ( in finance ) and household to go a painter -- with no background in art. He besides gives up all feelings for the remainder of world, dedicated to painting. He becomes a great painter ( unknown in his ain clip ) and is by and large thought of as a bad cat. Good authorship by Maugham, but non every bit compelling as Bondage. Love the composing manner of Maugham. He pours it all out so swimmingly and does n't lose a individual facet of human nature. Okay, people should make something they want, do non afraid.Um... I do n't cognize what I want to state... possibly I truly enjoyed some of the duologue, repeatable narrative, and secret plan. However, there were subdivisions that seemed to travel on far excessively long. Това е един от недостатъците на моя характер : не мога да мразя напълно човека , който ме кара да се смея . Меня возмутило , что в книге о художнике так мало говорится о живописи . Длинный рассказ о том , как он ушел от первой жены , бесконечная история о том , как к нему ушла чья-то жена и почти ничего о его работе . Уверена , что Гоген в жизни очень мало походил на Чарльза Стрикланда и общего в историях живого художника и выдуманного очень мало . Немного утешил только конец романа , описание Таити и последних лет жизни Стрикланда , которые выбиваются из жанра буржуазного романа , в который Моэм загнал жизнь художника . Един живот не е достатъчен и за любов , и за изкуство . The lone thing positive I can reap from this structural muss of a novel, a fictional creative person 's life slackly based on Paul Gauguin, full of abashing Edwardian epoch mores and apparently eternal dithering, is that society extols the selfish and that the act of creative activity may go forth devastation in its aftermath. Otherwise I find small of virtue within it. Oh, I suppose there are one or two interesting minutes, therefore two stars alternatively of one. Love all of his books, this one is touching and more sad than subsequently 1s. An interesting tail of a adult male obsessed with being a painter and the unusual life he led. Outstanding expression at what drives a adult male to be an creative person. I found myself comparing Strickland to Howard Roark in The Fountainhead. Both work forces did non care what others thought of them and focused entirely on their work. Amusing and insightful, this is the masterwork of a existent Nobel Prize victor. Despite irritation at the manner Maugham treats/describes/characterizes ( or does n't ) adult females, and seeing many people call him one of the most sexist authors, I still enjoyed this book a great trade. Reads really fast, despite ( or because of ) the confused narrative. Maugham has a manner with words, to be certain. The dips into description are complemented by the word pictures that seem to infinitely emanate. It 's no admiration I have fond ideas of his books even if I can ne'er retrieve what they are about. Person is gifted with artistic endowment and luckly he did n't blow it. Oh, I liked this 1. I love Maugham 's storytelling technique and his ability to arouse topographic point and characters. His uses elusive temper to jab merriment of the middle-class norms of the twenty-four hours. The characters are memorable. Interesting geographic expedition of the procedure of making the narrative, with a brash self-referential storyteller. Sad to see this book terminal, but I 'm richer for holding read it. I saw him, with my head 's oculus, on the schooner on which he worked, have oning nil but a brace of denims ; and at dark, when the boat sailed along easy before a light zephyr, and the crewmans were gathered on the upper deck, while the captain and the ace lading lolled in deckchairs, smoking their pipes, I saw him dance with another chap, dance wildly, to the reedy music of the concertina. Above was the bluish sky, and the stars, and all about the desert of the Pacific Ocean.
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