Collected Longer Poems | Book, Essay
- Book description:
One of the modern masters of the extended poem, W. H. Auden has selected for this volume the longer poems he originally published between 1930 and 1947, which are among his most enduring achievements, both for their technical virtuosity and for the emotional and intellectual precision with which he dissects the spiritual illnesses of our times. Collected Longer Poems includes Paid on Both Sides , Letter to Lord Byron , For the Time Being , The Sea and the Mirror , and The Age of Anxiety . With its companion volume, Collected Shorter Poems , published by Random House in 1967, this collection represents all of his past work that Auden wishes to preserve. This edition is set from the first American edition of 1969 and commemorates the seventy-fifth anniversary of Random House.
- Book Authors:
- Wystan Hugh Auden was an Anglo-American poet, best known for love verse forms such as Funeral Blues, poems on political and societal subjects such as September 1, 1939 and The Shield of Achilles, poems on cultural and psychological subjects such as The Age of Anxiety, and verse forms on spiritual subjects such as For the Time Being and Horae Canonicae. He was born in York, grew up in and near Birmingham in a professional middle-class household. He attended English independent ( or populace ) schools and studied English at Christ Church, Oxford. After a few months in Berlin in 1928–29 he spent five old ages ( 1930–35 ) instruction in English public schools, so travelled to Iceland and China in order to compose books about his journeys. In 1939 he moved to the United States and became an American citizen in 1946. He taught from 1941 through 1945 in American universities, followed by occasional sing chairs in the fiftiess. From 1947 through 1957 he wintered in New York and summered in Ischia ; from 1958 until the terminal of his life he wintered in New York ( in Oxford in 1972–73 ) and summered in Kirchstetten, Austria.Auden 's poesy was noted for its stylistic and proficient accomplishment, its battle with political relations, ethical motives, love, and faith, and its assortment in tone, signifier and content. He came to broad public attending at the age of 23, in 1930, with his first book, Poems, followed in 1932 by The Orators. Three plays written in coaction with Christopher Isherwood in 1935–38 built his repute as a leftist political author. Auden moved to the United States partially to get away this repute, and his work in the 1940s, including the long verse form For the Time Being and The Sea and the Mirror, focused on spiritual subjects. He won the Pulitzer Prize in Poetry for his 1947 long poem The Age of Anxiety, the rubric of which became a popular phrase depicting the modern epoch. In 1956–61 he was Professor of Poetry at Oxford ; his talks were popular with pupils and module and served as the footing of his 1962 prose aggregation The Dyer 's Hand.From around 1927 to 1939 Auden and Isherwood maintained a lasting but intermittent sexual friendly relationship while both had briefer but more intense dealingss with other work forces. In 1939 Auden fell in love with Chester Kallman and regarded their relation as a matrimony ; this ended in 1941 when Kallman refused to accept the faithful relation that Auden demanded, but the two maintained their friendly relationship, and from 1947 until Auden 's decease they lived in the same house or flat in a non-sexual relation, frequently join forcesing on opera libretti such as The Rake 's Progress, for music by Igor Stravinsky.Auden was a fecund author of prose essays and reappraisals on literary, political, psychological and spiritual topics, and he worked at assorted times on documental movies, poetic dramas, and other signifiers of public presentation. Throughout his calling he was both controversial and influential, and critical positions on his work ranged from aggressively dismissive, handling him as a lesser follower of W.B. Yeats and T.S. Eliot, to strongly affirmatory, as in Joseph Brodsky 's claim that he had the greatest head of the 20th century. After his decease, some of his verse forms, notably Funeral Blues, Musée des Beaux Arts, Refugee Blues, The Unknown Citizen, and September 1, 1939, became known to a much wider public than during his life-time through movies, broadcasts, and popular media.
Collected Longer Poems Essay
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