The Collected Works, Vol. 2: The Plays | Book, Essay

The Collected Works, Vol. 2: The Plays
Book details:
Pages: 960
Rating: 4.13

ISBN 0684857235 (ISBN13: 9780684857237 )

Edition Language English

Genres:
College :: Poetry :: Drama :: Academic :: Plays :: European Literature :: Irish Literature

Book description:

The Collected Works of W. B. Yeats, Volume II: The Plays is part of a fourteen-volume series under the general editorship of eminent Yeats scholars Richard J. Finneran and George Mills Harper. This complete edition includes virtually all of the Nobel laureate's published work, in authoritative texts and with extensive explanatory notes.

The Plays, edited by David R. Clark and Rosalind E. Clark, is the first-ever complete collection of Yeats's plays that honors the order in which the plays first appeared. It provides the latest and most accurate texts in Yeats's lifetime, as well as extensive editorial notes and emendations.

Though best known as one of the most important poets of the twentieth century, from the beginning of his career William Butler Yeats understood the value of his plays and his poetry to be the same. In 1923, when he accepted the Nobel Prize for Literature, Yeats suggested that "perhaps the English committees would never have sent you my name if I had written no plays...if my lyric poetry had not a quality of speech practiced on the stage." Indeed, Yeats's great achievement in poetry should not be allowed to obscure his impressive and innovative accomplishments as a dramatist.

In The Plays, David and Rosalind Clark have restored the plays to the final order in which Yeats planned for them to be published. This volume opens with Yeats's introduction for an unpublished Scribner collection and encompasses all of his dramatic work, from The Countess Cathleen to The Death of Cuchulain.

The Plays enables readers to see clearly, for the first time, the ways in which Yeats's very different dramatic forms evolved over the course of his life, and to appreciate fully the importance of drama in the oeuvre of this greatest of modern poets.




Book Authors:

W.B. Yeats

William Butler Yeats ( marked /ˈjeɪts/ ) was an Irish poet and playwright, and one of the first figures of twentieth century literature. A pillar of both the Irish and British literary constitutions, in his ulterior old ages Yeats served as an Irish Senator for two footings. He was a drive force behind the Irish Literary Revival, and along with Lady Gregory and Edward Martyn founded the Abbey Theatre, functioning as its head during its early old ages. In 1923 he was awarded the Nobel Prize in Literature for what the Nobel Committee described as divine poesy, which in a extremely artistic signifier gives look to the spirit of a whole state. He was the first Irishman so honored. Yeats is by and large considered one of the few authors who completed their greatest plants after being awarded the Nobel Prize ; such plants include The Tower ( 1928 ) and The Winding Stair and Other Poems ( 1929 ) .Yeats was born and educated in Dublin but spent his childhood in County Sligo. He studied poesy in his young person, and from an early age was fascinated by both Irish fables and the supernatural. Those subjects feature in the first stage of his work, which lasted approximately until the bend of the century. His earliest volume of poetry was published in 1889, and those slow paced and lyrical verse forms display debts to Edmund Spenser and Percy Bysshe Shelley, every bit good as to the Pre-Raphaelite poets. From 1900, Yeats ' poesy grew more physical and realistic. He mostly renounced the nonnatural beliefs of his young person, though he remained bemused with physical and religious masks, every bit good as with cyclical theories of life. -- from Wikipedia
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David R. Clark

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Rosalind E. Clark

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The Collected Works, Vol. 2: The Plays Essay




Samuel Beckett considered Yeats one of the great playwrights of the early twentieth century. I, nevertheless, find small in his dramas that involvements me. His poetry lacks the flowing rimes and the beautiful meters of his lyrical poesy. And he doesn’t have the ability to make interesting, compelling characters. Despite Cuchulain’s visual aspect in many dramas, he ne'er comes alive like Shakespeare’s Macbeth or Brecht’s Galileo. Like Tennyson’s King Arthur, Cuchulain finally remains a level character despite his many unusual escapades.
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