Nina Simone: Break Down and Let It All Out | Book, Essay
- Book description:
One of the last divas of jazz, Nina Simone (1933 - 2003) was one of the finest songwriters and musicians of her day. For over 40 years she and her music defied categorization. Trained as a classical pianist, she performed blues, jazz, protest songs, gospel, pop, hymns, and folk tunes. Simone covered the songs of artists and musicians that she admired, from Bob Dylan to Duke Ellington to the Beatles to George Gershwin. Jazz lover and music journalist Sylvia Hampton met and befriended the soul diva in the late 1950s. After that first meeting, they became close friends, corresponding regularly throughout Simone's lengthy international career. Hampton and her brother David Nathan delve into Hampton's collection of memorabilia, to create a vivid portrait of the singer.
Nina Simone: Break Down and Let It All Out Essay
- I 've read already one life of Nina Simone but this book I must acknowledge has an excess penetration into private life of Nina Simone - non from the position of the yellow journalisms - although those are besides at that place - but with to boot remark from her close friends giving a full image what was truly traveling on behind closed doors. Far from comprehensive ( look into out Nina Simone: The Biography by David Brun-Lambert for a more in-depth summing up ) , this book alternatively offers some blunt penetrations into the private battles and victory of one of the greatest of music fables. Its writers, Sylvia Hampton and David Nathan, were conceivers of the first Nina Simone fan nine ( The Nina Simone Appreciation Society ) in the 60 's and spent their full lives as friends -- when in the prima donna 's favours -- and supporters. Nina Simone was a echt artistic mastermind and kid prodigy whose parts to musical excellence included the scorching Four Women and the barbarous honestness of Mississippi Goddam. What she brought to the tabular array, as had seldom been done before her, was an unblinking expression into American racism and subjugation which she channeled dexterously into her art. There was ( as in about every of import creative person ) a sense of righteous choler that pervaded most of Simone 's original composings ; there were besides unmanageable and frequently annihilating turns of fury ( the consequence of a clinical instability -- the book 's term, non mine ) that she directed against the deserving and undeserving likewise in her circle of friends and household. The book is unnecessarily vague about this cryptic status which is easy identifiable to those who besides suffer ( this referee included ) as manic-depression. Nina was ne'er a dad star in the sense of an Aretha Franklin ; chart hits for Simone were few and far between, audiences could be fickle, and record companies on a regular basis screwed her over. She was an image breaker in the truest sense, every bit revered and reviled, and -- finally -- a darling and precious subsister and human-centered whom we will ne'er see the likes of once more. This is written from the position of a Nina Simone fan... yet, there are a batch of negative histories of Nina Simone. As others have said, the book is more about their relationship to Nina Simone, instead than about the calling, or bequest of Simone. One is left to believe that Simone was a loony, Diva with small to no bureau of her life... yet, this is written from the point of a position of a fan? The writer ( s ) do non perplex Simone 's experience as a Black adult female protest instrumentalist when sing minutes where she may hold flipped out, nor do they demo much commitment to the bequest of Simone. While reading it, I kept inquiring, what would Nina Simone believe if she knew what her supposed beloved fans were composing about her? I did non cognize much about Nina Simone boulder clay I started listening to her in 1999. I got this book as a present last twelvemonth and it is written good. The position of the writer Sylvia Hampton and her brothers narrative 's of Simone kept me interested. Some lifes can be written bad and can acquire deadening, but I did non acquire world-weary and I felt like I got to cognize Nina Simone. This is decidedly non the first book to read if you want an in-depth expression at Nina Simone. Think of it as a comrade book possibly. And candidly it feels more like a memoir about the people who wrote it. THEIR clip with Nina Simone and how she touched their lives. Truly wish I had read another book. I was looking for a more nonsubjective narration on Nina 's life, sing she was a small loony, and I suspected her autobiography would follow suit. This book is written by a womb-to-tomb fan who kept Nina 's Appreciation Society afloat. While she gave great inside informations of peculiar concerts and recordings, her eternal rambling drove me balmy. Read about Nina on Wikipedia and inquire a fan for which albums to purchase.
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