The Women's Decameron | Book, Essay

The Women's Decameron
Book details:
Pages: 336
Rating: 3.92

Original Title Damskij Dekameron

ISBN 0704325551 (ISBN13: 9780704325555 )

Genres:
Fiction :: Literature :: Cultural :: Short Stories :: Womens :: Russia :: Russian Literature

Book description:

Like Boccacio's famous Florentines, Julia Voznesenskaya's Russian women are cunning and savvy—about all facets of the Soviet system. They know how to beat it and how to endure. Quarantined in a Leningrad maternity ward after giving birth, ten women from all walks of Soviet life amuse themselves by telling stories—stories that provide an astonishingly intimate and dramatic insight into the lives of Russia today. The women recount one hundred stories—one story told each day by each of the ten women for ten days—on such themes as love, jealousy, infidelity, seduction, farcical sex, money, revenge, and finally, happiness. Beneath their gossip runs the stark reality of a society torn apart by suicide, divorce, and alcoholism; by the difficulties of finding food and a place to live; by the threat of harrowing imprisonment. Voznesenskaya writes vividly about everyday Soviet life as well as politics, and her revealing book conveys a passionate belief in the spiritual strength of the Russian woman, to which readers everywhere will respond with sympathy and shocks of recognition.




Book Authors:

Julia Voznesenskaya

Julia Nikolayevna Voznesenskaya ( Russian: Юлия Николаевна Вознесенская ) , born on 14 September 1940 in Leningrad, is a Russian writer of books with an Orthodox Christian worldview.In 1976 Voznesenskaya was sentenced to four old ages of expatriate for Anti-Soviet Propaganda. In 1980 she emigrated to Germany. In 1996-1999 she lived in Lesninsky Russian Orthodox Convent in Chauvincourt-Provemont, Normandy, France. Since 2002 she has lived in Berlin. ( from Wikipedia )
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The Women's Decameron Essay




A profoundly human novel. I use the word novel despite visual aspects to the contrary: on one degree this is a series of 100 short narrations, divided over 10 yearss and publishing from the oral cavities of 10 adult females. But ingeniously, between the short narrations there are transitions, kept to a lower limit but indispensable to the construction, in which the storytellers respond to and knock each other’s narratives. All of this could so easy be arch, flippant, a random-seeming hodgepodge, but in Voznesenskaya’s custodies it may in fact be the alone beginning of humanity in this frequently starkly realistic but often heartwarming book. I truly had problem acquiring into this book. It 's a reinvention of Boccacio 's 'Decameron ' set in a isolated pregnancy ward in the U.S.S.R. in the 1980 's. To be just, I ne'er read the original Decameron, I merely cognize of the general set-up/concept of it, so possibly I 'm losing something critical, but I merely felt like this version was a nice thought, but crappily realized. I read this book when I was hardly out of my teens, and I knew reasonably close to nil at all about life in the USSR. Well, did I acquire a instruction! It was the first novel I of all time read that so vividly brought to life a foreign civilization for me. I was amazed by the writer 's ability to paint such a elaborate, complex and comprehensive image of a universe that was really existent for many people in such a few simple scenes and narratives. I had no thought so much of a universe could be conveyed in so few pages of fiction. I was freshly fascinated with the power of literature to supply instruction and knowledge about the universe. This book was a great influence in what sort of literature I chose to concentrate on in my reading life. [ image mistake ] This book, inspired by the authoritative The Decameron by Boccaccio, is set in contemporary Russia ( 1980 's ) . Ten Russian adult females, including a shipyard worker, an applied scientist, a music instructor and others, are quarantined for 10 yearss in a Leningrad clinic after giving birth. For 10 yearss they each take bends stating a narrative from their life experiences. The book provides an interesting glance at how adult females were treated in Soviet Russia and how they survived. It 's amusing at times but besides witty and sad. A solid four. A intimation of repeat by the terminal was the lone factor which kept the book from being a five. By the terminal, you reasonably much knew what kind of narrative each adult females would portion and there were truly no surprises. My favourites were Zina and Nelya, who I felt was overlooked at times. She was so quiet and unostentatious, yet her narratives were strongly affecting. And I loved Irishka 's shutting narrative. Summed up the whole of the book rather nicely. Ten adult females in a Soviet infirmary are placed under quarantine so to go through the 10 yearss they start stating each other narratives on a pre-agreed topic, such as love, hatred, retaliation, good workss, colza etc. Al lang stond op mijn Te herlezen lijstje de Vrouwendecamerone new wave Julia Voznesenskaja. En toen Er een paar maanden geleden bij de boekgrrls enthousiast over de 'echte ' decamerone werd gemaild, voegde ik de daad bij het woord en herlas het. Stukje bij beetje privation het is een heftig boek. I felt comfy shutting it at the terminal of 1-3 narratives and puting it aside, cognizing it 'll be at that place tomorrow for a new narrative, which is why it has taken so long to complete it, non to advert the breaks for trips or other such. I read this for a Russian adult females authors category in grad school. 10 adult females are stuck together in a pregnancy ward and each twenty-four hours they tell a narrative on a chosen subject. The adult females are from changing backgrounds and you get a glance of what life was like for them in their different socio-economic degrees. It 's well-written, amusing, dismaying and animating. It did n't ache that a Russian friend of mine swore her experiences in the RodDom were much like this book excessively. I foremost read this book twenty something old ages ago on the recommendation of my originative authorship instructor, and enjoyed it enormously. Having come across a 2nd manus transcript I decided to reread it, but have non derived the same satisfaction or pleasance this clip unit of ammunition. As the book has n't changed I 'm thinking it is me! The authorship seemed a spot level this clip, but I still think the construct is fantastic. I would love to see it performed on phase. Just precisely my cup of tea ( platitude I know but it 's true here ) . I devoured this book and its characters. I could fall into this universe, I do n't cognize why, but that 's why I like the book every bit much as I do. The authorship 's lone O.K. , or the interlingual rendition is, but I did n't desire it to stop. Ti kvinder, som ligger på en fødeklinik I Leningrad, underholder hinanden med saftige, sjove og sørgelige historier fra deres liv, som tilsammen giver et broget billede af almindelige menneskers tilværelse one Sovjetunionen Tremendous book: for its sympathetic frame narrative and the narratives ( some outstanding ; one I really typed up in its entireness before returning the transcript to my local library ) give a challenging complex of that unknown figure: the modern adult female under the Soviet government. An astonishing aggregation of 100 narratives told by adult females in, I believe, the USSR, and their loves/lives/struggles during a 10-day period after they give birth to their babes. I read this book a long clip ago, whilst on a trip to BC. I like the construction and have reread it several times since. A reinvention of Boccacio, this Decameron is a good scrutiny of adult female 's experience in Russian civilization. the adversity of Russia
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