Chorus of Stones: The Private Life of War | Book, Essay
- Book description:
A look at the nature of war and gender, illustrating the interplay between private suffering and public tragedy.
- Book Authors:
- Susan Griffin is an award winning poet, author, litterateur and dramatist who has written 19 books, including A Chorus of Stones, a finalist for the Pulitzer Prize and the National Book Critics Circle Award. Named by Utne reader as one of the top 100 visionaries of the new millenium, she is the receiver of an Emmy for her drama Voices, an NEA grant and a MacArthur Grant for Peace and International Cooperation. Her latest work, Wrestling with the Angel of Democracy, on being an American Citizen has been called fresh, examining and acute by Booklist.
Chorus of Stones: The Private Life of War Essay
- WHAT ARE YOU READING? IS IT GOOD? This book was on my books to read list from my college lit yearss. Decidedly need focal point and energy to finish this one. Psyche penetrations and history lessons throughout were really enlightening and good covered. I candidly ended up scimming most of it to acquire a appreciation of what Griffin was acquiring at. Interesting thought that single private agony, secrets, and lies reflect that of the expansive populace. A mesmerizing mosaic made of different but re-emerging elements including: snippings on cell biological science and missile engineering, WWII 's barbarian war on civilians, the secrets people carry about emotional and other maltreatment, and the Nazis, particularly Heinrich Himmler, main designer of the Holocaust and his really rigorous, self-giving, Germanic childhood. This is an drawn-out speculation on enduring and how it leads to more agony, particularly in the mass force of war. Not truly reading this yet, but wanted to register a note with it as a TO READ. I found it referenced in a note on the dorsum of a birthday card with I think Pat Mahoney 's authorship ( dead now many old ages ) while I was cleaning -- Her note: A friend passed on to me a really challenging book -- A Chorus of Stones: A Private History of War, by Susan Griffin. Best manner to depict it is some weaving of inner/outer events of war -- both proximate and remote. Never finished this 1. Just could n't acquire into it. It is possibly a pick each of us makes over and over, even many times throughout one twenty-four hours, whether to utilize cognition as power or familiarity. . A chorus of rocks how we all are, metaphorically talking, good worth the read. Here 's another book that I read for a category that I otherwise would ne'er hold attempted. I 'm glad, I think, that I put my caput down and staggered through Susan Griffin 's A Chorus of Stones, but it 's a book that takes a toll. This book took a small to acquire into, but one time I understood the manner I was entranced. Her observations and sentiments were profound and powerful. Our Secret ne'er fails to arouse in me new ways to see the universe, the population, my pupils, my household, myself. Griffin has a manner of showing private history as portion of public history that breaks down boundaries between genres. She is willing to make thinking/writing that must in some step be dearly-won to her on a personal degree: imagine 8 old ages of believing about your dysfunctional household, defined by its secrets, the development of atomic arms ( much of that accomplished in secret ) , and the German SS. Then conceive of happening a manner of non-fiction authorship that allows you to put out the pieces, but allows the reader to snap them into topographic point in the procedure of reading. This may be one of the best books I have read in a long clip -- Susan Griffin weaves her personal/family narrative with the narratives of ordinary people affected by negative events like atomic power testing every bit good as the lives of historical figures. At the centre of it all are the secrets and lies that households and persons concept which works seeds that affect future events and lives. It 's journal format with entries on the development of atomic arms and cell biological science are juxtaposed with the historical events like Nagasaki, the holocaust, and other events every bit good as the lives of historical figures including Teddy Roosevelt, Gandhi, Himmler ( SS military officer under Hitler ) , Trenshard, and Hemingway among others. Beautifully written, insightful, upseting, edifying -- I extremely recommend! ! ( I 've ordered all her other books which look every bit provocative! ) This is one of those books that is difficult to understand. It 's non the linguistic communication. Use and diction are reasonably much simple and straightforward. But the content! It merely jumps back and away all the clip -- there are about five events happening at the same time on one page ; on the following page, three of the five events are explained in item ; a chapter subsequently, one of the five events that has non been mentioned once more emerges. Whenever I encounter a state of affairs like this, my rushing head jars to a halt so that it could give itself clip to treat all the information. A hard read, but highly enlightening and thought arousing! Chorus of Stones, A by Susan Griffin ( 1992 ) A small esoteric, but so attractively written. I like books that take apparently unrelated elements and weave them together. I had some problem acquiring past the confused writting manner of the writer. The narratives were touching and opened up new ideas about my yesteryear and my current experiance as a soldier, and with a boy as a soldier. Though I at times had trouble understanding the connexion between the narratives that she was stating. 4 1/2 An insightful speculation on war. The writer weaves her personal life, her household 's history, and the experiences of soldiers, German and British leaders, and others, to discourse the alterations in war as reflected in alterations in society beginning in la belle epoque. Has an interesting last chapter that includes entries from Griffin 's diary about the interesting format of the book and a fillip piece on Hemingway, which repeats once more the book 's decisions. But Hemingway and his discontents are non so easy explained away by the being of the other within each of us. Bad last illustration, in my head, that leads less to the decisions the writer wishes us to pull. What she says feels right in every other instance, and the effects are scaring. moves through her memories and historical recounts of war -- shows that history is non additive, but more like a web. This book changed my manner of believing approximately war as other. I was reminded of a line from a vocal by Ferron: Where does the evil live in me? Some rare books create a paradigm displacement in my nucleus beliefs. This is such a book. even though the last chapter is sort of awful, Is can non urge this book plenty, particularly for people who read a batch of political theory. erases the differentiation between private/public life brilliant, embracing, fearless. one love her work. no 1 should be silenced. this book explores the thought of hushing people being a signifier of force and is slightly barbarous and beautiful all in one. I enjoyed this book for the prose and thoughts expressed. Wow -- I earnestly can non believe it took me this long to cognize about this book and read it! ( Thanks to Geoff and David for the recommendation. ) In Griffin 's ain words: All official history accompanied by another history. That history which is told by word of oral cavity. The narratives we pass between us. Brilliantly weaves a speculation on both universe wars, the development of the atom bomb, the first Gulf War, Hemingway, Himmler, a Judaic adult female who leaves behind an art catalogue of her life before Auschwitz, and so much more. I learned the bravery of Susan as a author, she took me into horrors of humanity but held me through it and learn me how to see. This is a disconnected, yet fascinating, effort to link atomic warfare, kid maltreatment, feminism, and Nazi inhuman treatment by analyzing their roots and causes. I enjoyed this book. This book was a cardinal ground why I become a Sociology major in undergrad. Although the first 270 pages of the narrative is well-written, I was n't drawn into it. But I loved the concluding subdivision, If: Notes Toward a Sketch for a Work in Progress. I love composing in fragments. Noting glances. At this phase of my life I have come to reaccept the thought that when you discover yourself within the lines of a text, a work of literature has the possibility of going the urbs quadrata, a templum from which to analyze the universe and counteract clip. Read this. There is so much here, I can non conceive of anything better, though reading it ache me at times.
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